{"product_id":"celluloid-sermons-the-emergence-of-the-christian-film-industry-1930-1986-hardcover-1","title":"Celluloid Sermons: The Emergence of the Christian Film Industry, 1930-1986 - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eTerry Lindvall\u003c\/b\u003e (Author), \u003cb\u003eAndrew Quicke\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eChristian filmmaking, done outside of the corporate Hollywood industry and produced for Christian churches, affected a significant audience of church people. Protestant denominations and individuals believed that they could preach and teach more effectively through the mass medium of film. Although suspicion toward the film industry marked many conservatives during the early 1930s, many Christian leaders came to believe in the power of technology to convert or to morally instruct people. Thus the growth of a Christian film industry was an extension of the Protestant tradition of preaching, with the films becoming celluloid sermons. \u003cbr\u003e\u003cbr\u003eCelluloid Sermons is the first historical study of this phenomenon. Terry Lindvall and Andrew Quicke highlight key characters, studios, and influential films of the movement from 1930 to 1986--such as the Billy Graham Association, with its major WorldWide Pictures productions of films like The Hiding Place, Ken Curtis' Gateway Films, the apocalyptic \"end-time\" films by Mark IV (e.g. Thief in the Night), and the instructional video-films of Dobson's Focus on the Family--assessing the extent to which the church's commitment to filmmaking accelerated its missions and demonstrating that its filmic endeavors had the unintended consequence of contributing to the secularization of liberal denominations.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTerry Lindvall\u003c\/strong\u003e is C. S. Lewis Chair of Communication and Christian Thought at Virginia Wesleyan College in Norfolk, Virginia. Previously he taught at Duke University's Divinity School and was the Walter Mason Fellow of Religious Studies at The College of William and Mary. He is the former president of Regent University, where he was professor of film and communication and the arts and held the Distinguished Chair of Visual Communication. He is the author of \u003cem\u003eSurprised by Laughter: The Comic World of C.S. Lewis; The Mother of All Laughter: Sarah and the Genesis of Comedy;\u003c\/em\u003e and \u003cem\u003eThe Silents of God: Selected Issues and Documents in Silent American Film and Religion, 1908-1926\u003c\/em\u003e, among other works.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 287\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 9.1 x 6.2 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e October 01, 2011\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":42597092458592,"sku":"9780814753248","price":105.5,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0598\/1922\/9280\/files\/cXVhc3dKUXNOejFqWFNocklIUCs3Zz09.webp?v=1771707332","url":"https:\/\/bijoucc.myshopify.com\/products\/celluloid-sermons-the-emergence-of-the-christian-film-industry-1930-1986-hardcover-1","provider":"CARIBBEAN CONNECT","version":"1.0","type":"link"}